Features

Once again, Subdecay has broken through the barriers of what was previously thought of as a filter effect.
Auto-wah, envelope filter, step filter, random sample/hold filter (pixelated envelope filter). Prometheus DLX can do all of these sounds in one unit. The sounds are all analog, but the digital controls make it easy to manipulate a variety of sounds. We are confident that Prometheus DLX does not have any unnatural sounds or complex operations. Guitar sounds can move freely up and down, and can be used in the same way with other instruments such as bass and synthesizers. You can choose your favorite low pass, band pass, and high pass filters and control them freely without any troublesome restrictions.

In upgrading Prometheus, we not only increased the number of filter types and functions, but also spent more than a year developing it to make it easier and more intuitive to use. Taking advantage of the diverse control function technology and experience gained when producing Quaser DLX, we have made several improvements, such as adding a Resonance knob and tap tempo.
When driven at 18V, you get more headroom. You can also use the switch inside the unit to blend the original sound with the bandpass filter. If you're a bass player, be sure to try this switch.

Prometheus DLX allows for an almost infinite number of configurations, but because of its seemingly complex functionality, we strive to keep the interface as simple as possible so that anyone can understand how to use it within a few minutes.
Read on to see more of Prometheus's dreams come true!

<Specifications>
Power supply: Operates with a DC9V-18V center negative adapter (One Control EPA-2000 is recommended). Battery operation is not supported.
Current consumption: less than 100mA Input impedance: 1M
Output impedance: 1K
True bypass Handmade in Oregon, USA